I am in the Santiago mentioned above, which has the distinction of being the second-largest city in the Dominican Republic (i.e. the second-largest city in Santo Domingo after Santo Domingo itself) and the oldest Santiago in the Americas. It is called Santiago de los Trentes Caballeros because during the Dominican Restoration War, fought to free the country from its re-colonization by Spain, some thirty gentlemen held off the Spanish from the tall hill near the city center.
This hill is now the site of a very large white marble monument, known as el monumento, with a Trajan-style column topped by a stylized statue of a woman, presumably a figure for the Republic. This monument is visible from almost every point in Santiago and though it is not strictly speaking in the center, it has become the symbolic center of the city. People hang out there, drink, eat empanadas. Because it is the tallest point, even without climbing the monument one has a very nice view of the city.
So I can't say that I especially like it, it's not what I would call inspired architecture, but I thought of it as a nice spot to see the city and relax. I don't see why it changed when I found out it was by Trujillo, but now the sight of it bothers me somewhat. It's a reasonable thing to make a monument for, a fine public space, it's not ugly; but it is and will remain a monument imposed by a dictator. The lady on top, always weird, now reminds me of dehumanizing dictatorial art.
The center of Santiago is dust-colored. One street has blocky buildings, with signs projecting out clearly directed at the vehicular, not pedestrian traffic. I haven't really been taken off that street, but from what I can see outside of it the buildings are rather old, French-Caribbean architecture, with some nice Hispanic churches.
If the center is dust-colored, the rest of Santiago is green. Green with mango trees, avocado trees, lemon trees, palm, a pretty sort of red-flowered tree. The most striking thing about it as a city is that level of greenery and of indoor-outdoor interaction.
2.7.09
Water and a Machine
Yesterday I operated my first machine. It was an easy thing, not electric or otherwise powered, about 70 cm high and a soft bottle-green color. I had to assemble some brass contacts with some copper pieces that would go on the outside of them.
This sort of thing - a basic contact with a piece of sculpted foil outside of it - is done often here. The pieces of foil come attached to a long metallic tape, and mostly the contacts are pushed inside of them. For this piece, though, I would pass the tape through an aperture in a machine, place five contacts on five foil pieces, and pull on the lever which would press the contacts down into the foil. I assembled 299 contacts, and it was fun looking at the tape with the two metals shining their different colors. It looked like amunition, though.
Also yesterday we ran out of water at home. I found out about this after playing with the dog for an hour or so. When I went to eat a bit of yogurt and wash my hands of the dog, I found that I couldn't.
The water hasn't come on yet, that I know of. Apparently it's missing from some other houses as well.
This sort of thing - a basic contact with a piece of sculpted foil outside of it - is done often here. The pieces of foil come attached to a long metallic tape, and mostly the contacts are pushed inside of them. For this piece, though, I would pass the tape through an aperture in a machine, place five contacts on five foil pieces, and pull on the lever which would press the contacts down into the foil. I assembled 299 contacts, and it was fun looking at the tape with the two metals shining their different colors. It looked like amunition, though.
Also yesterday we ran out of water at home. I found out about this after playing with the dog for an hour or so. When I went to eat a bit of yogurt and wash my hands of the dog, I found that I couldn't.
The water hasn't come on yet, that I know of. Apparently it's missing from some other houses as well.
1.7.09
Progress in Spanish
I've gotten slightly faster, more handy with grammar, better at understanding (I think). But as far as concrete data, additions to my vocabulary, I can only think of these:
Me hacen falta. I miss them. I would have thought it to be me faltan, literally 'they are missing from me,' (or translatable as 'I'm missing them.') but instead the Spanish adds the word hace to suggest that this is an emotional effect.
Al paso. Slowly. I heard this a lot at first: 'you must speak slowly to her, otherwise she won't understand.' Correctly, of course. I thought it strange that it wasn't anything related to lento, slow, until I used it myself in relation to a task on the factory floor. Generally I work fast and well, to general surprise, but I'm still slow when it comes to checking things, and said so, which is when the derivation hit me. Al paso. Fr. au pas. Walking pace, at a walk, esp. of a horse.
Various food items: mangu, a plantain paste; mofongo, a plantain paste with meat; arichuela, the beans in beans and rice. I'm not sure of the spelling on these.
Me hacen falta. I miss them. I would have thought it to be me faltan, literally 'they are missing from me,' (or translatable as 'I'm missing them.') but instead the Spanish adds the word hace to suggest that this is an emotional effect.
Al paso. Slowly. I heard this a lot at first: 'you must speak slowly to her, otherwise she won't understand.' Correctly, of course. I thought it strange that it wasn't anything related to lento, slow, until I used it myself in relation to a task on the factory floor. Generally I work fast and well, to general surprise, but I'm still slow when it comes to checking things, and said so, which is when the derivation hit me. Al paso. Fr. au pas. Walking pace, at a walk, esp. of a horse.
Various food items: mangu, a plantain paste; mofongo, a plantain paste with meat; arichuela, the beans in beans and rice. I'm not sure of the spelling on these.
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